Sunday, March 3, 2019

“Gentlemen Prefer Blondes” Comedy Essay

Gentlemen Prefer Blondes is a 1953 Musical-Comedy released by 20th Century Fox, direct by Howard Hawks and starring Marilyn Munroe and Jane Russell the two greatest sex symbols of the era. The cameras point of view is that of the male gaze, where women ar regarded as objects of spell and the men are assumed to have a position of condition. Hawks shows how it earth-closet be easily hijacked by feminines smart enough to control, manipulate and at long last blur the male gaze. As much as this frivol away is mutable for the male gaze it is as much for a feminine audience as it is for males.In the song-and- spring sequence, When Love Goes Wrong, the two female protagonist had just been expelled from the hotel by Gus. Though the situation for Lorelei and Dorothy should be bingle where they are left helpless and powerless the guessing however displays the opposite. In the entire scene both female protagonist are captured lie and center with close ups and the lighting on their faces is well defined which gives them a sense of importance and power. At the same time the men match around them captivated, giving their undivided attention to the females as they sing and dance giving them a position of control over the men.Their position of power is so prominent that they even get the admiration of young boys who face to be gypsys. Gypsys are known to be quick, sharp and in control when it comes to stealing but in this scene their heads are turned by the sensual Lorelei and they are totally distracted. Bothe females are well aware of their manipulative powers as Dorothy encourages Lorelei to persona her charms, saying, Do it now, do itWhat appears to be submissive to the male gaze, in this scene however they put on a chow in exchange to manage their presence and have their voices heard in a dominantly male world. When the females are seated they appear to be two damsels in distress, however the try of standing up represents liberty and the space they comma nd when dancing communicates liberty and power. A melancholy moment turns to a vibrant and fun sing-and-dance where they resist the actions of men to have power over their emotions.Though the scene is shot in the view of the male gaze the line is blurred when Lorelei and Dorothy use their sensual and attractive appearance to control, manipulate and command power in a dominantly male world. By this the scene takes a turn to run to the female sight giving a sense of empowerment and freedom in a situation where they should be the damsels in distress.

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